subjunctive

Dark Winds, Season 3: continues to be both beautifully acted, thoughtfully and empathically written, and a visual feast. Also heartbreaking in the day it follows up on s2's conclusion for Joe Leaphorn and his wife Emma. ( Small spoilery remark. ) Also I was more grateful than ever that the show takes place in the 1970s and wasn't updated to the present because Bern's new job with border patrol would have felt very differently even before her subplot kicks in.

Young Sherlock: aka the one by Guy Ritchie which doesn't feel like a prequel to his Holmes movies and is the better for it. I mean, I didn't dislike his first Holmes movie, which was the only one I saw, but I wasn't crazy about it, either, and never felt the need to see it again. Also it was made at a time where all the various iterations of Sherlock Holmes seemed to lean into emphasizing his arrrogance. Now, this show is entertaining fluff with only the vaguest nods to when it's supposed to be set: female students galore in Oxford, 1870, for some reason a rich and high ranking visitor takes the carriage instead of the train to Oxford, while someone in the production team actually remembered the Paris Commune happened, they evidently forgot or ignored both the near starvation of the population part of that and that there was also the Franco-Prussian war going on, so everyone makes a trip to Paris for one episode with no armies in sight, but the Folies Bergeres being in business with dancing girls, etc., etc., etc. Not to mentiion ( something extremely plot spoilery ) But honestly, because the show doesn't pretend to be anything but fun fluff, I did not mind. What I do suspect is someone in the production team has watched at least some Smallville and thought, hm, that "Clark and Lex were bffs for a while when young before Lex went evil" premise is great, we should do that with Holmes and Moriarty". And proceeded to follow up on this idea. Young Sherlock, played by a member of the gifted Fiennes clan, and young James M, played by Mat (the second one) from Wheel of Time, have the necessary chemistry and homoerotic subtext, they hit it off famously, and at the same time the seeds for future supervillaindom in Moriarty are there. And the show does make it believable these are two young guys smarter than most others around them and on each other's level. Most importantly, though: this Sherlock Holmes is the first one in what feels like eons who is not introduced being a jerk to the people around him. (I love Elementary ! But while Elementary's Sherlock was never as extreme as Sherlock's Sherlock, he, too, started out being rude to his Watson and everyone else.) It might come with the much younger territory, but while he's cocky, he's not (yet?) abrasive, downright tender with his mother, and, lo and behold, civil to people who aren't awful to others in front of him. Otoh, it may also be that Guy Ritchie and his production team watched the last season of Sherlock and thought, hm, dysfunctional Holmes family drama, unexpected relations, we like it, we like it, but how about giving the women better parts? ( Spoilers were very entertained indeed by the result ) Oh, and absolutely no one gets raped or threatened with rape. Like I said, this fluffy show with a heavy emphasis on the bromance manages to do very well by its female characters. Anyway, whether nor not this gets another season - which it doesn't really need for the story it has told - I enjoyed myself.