subjunctive

A French children's book in translation from 1961, in which five children are trapped in a cottage by a landslide.

14-year-old Laurent's family is concerned that he spends all his time reading and doing chemistry experiments, and isn't engaging with other people. So they dispatch him to stay with his younger brother and sister in a cottage only occupied by a 14-year-old girl and her younger brother, who are alone because her mother is having surgery. The idea is that Laurent will have to take care of the other kids, and this will make him come out of his shell more. His parents do leave him the out of being able to pack up his siblings and return to Paris if he really hates it.

I am honestly not sure if it was even vaguely normal in 60s France for five kids ages 14-5 to stay alone in a remote mountain cottage for ten days, or if this was just a literary convention. Anyway, Laurent unsurprisingly hates it and packs up his siblings to leave. But while they're on the train platform with the other kids, he has a change of heart and they all head back to the cottage. But they stop in the cottage of a family friend, who is out at the time.

It gets buried in a landslide! They're all trapped in pitch darkness! In an only vaguely familiar house! They can't use the stove because it already nearly suffocated them with carbon monoxide! Their only air is from a narrow shaft leading to a giant canyon! There's very little food! No one knows they're in trouble because one of the kids wrote ten postcards dated for every day of the vacation, then arranged with the post office to send one per day!

The kids having to do everything in total darkness for most of the book is a really cool twist on this sort of "trapped in a space" book. (One of my favorite moments is when enough dirt slides away that some light gets in, and they see that they've been half-starved in pitch darkness with two huge hams and a lantern hanging from the ceiling.) It has some cozy elements - they're trapped with goats, which they can milk but which also get into everything and poop everywhere, and one goat gives birth to twin kids - but gets desperate quickly when Laurent gets an infected cut and the main milking goat drowns in a flooded cellar. But it all ends up okay when they first signal with Morse code in a mirror (in a nice touch of realism, it takes a long time for anyone to figure out the message as the kids get some of the letters wrong, including signaling OSO instead of SOS) and then make and set off gunpowder!

Not an enduring classic, but an entertaining read.

Gyre explores the tunnels of an alien world in a mechanical suit, her only connection to the outside world the voice of Em, her handler who she’s never met, who may or may not have her welfare in mind, and who definitely has boundary issues.

Gyre has less experience caving than she claimed, and caving is extremely difficult. There are sandworm-like creatures called Tunnelers that will kill multiple parties of cavers for unknown reasons, so cavers go in alone, unable to take off their suit for weeks on end, with their handler as their only link with the outside world. Em can literally take control of Gyre’s suit/body, can inject her with drugs, etc - and not only has little compunction about doing so, but won't tell Gyre what the actual purpose of the mission is.

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This is a type of story I don’t see very often, in which there’s one main science fiction element – in this case, the mechanical caving suit – which is explored in depth and is essential to the story, and it’s also set on a (very lightly sketched-in) other planet. Generally the “one science fiction element” stories are set on Earth. Apart from the Tunnelers, this novel actually could take place on an Earth where the suit exists.

The Luminous Dead, like The Starving Saints, has a small cast of sapphic women and takes place almost entirely in the same claustrophobic space; if it was on TV, we’d call it a bottle episode. I normally like that sort of thing but unlike The Starving Saints, it outstays its welcome. It has about a novella’s worth of story, and while it’s very atmospheric and any given portion is well-written and interesting, considered alone, as a whole it’s very repetitive and over-long. I would mostly recommend it if you like complicated lesbians with bad boundaries.